Call for Papers: Mapping German Film Exile. A Transnational Perspective.
Johannes Gutenberg-University Mainz

Call for Papers: https://filmexil.uni-mainz.de/files/2024/01/CfP_MGFM.pdf
More information: migrantknowledge.org/2024/01/16/cfp-mapping-german-film-exile-a-transnational-perspective/

JOURNÉE D'ÉTUDES FRANCO-ALLEMANDE ENIVSAGER LES RETOURS DES "RÉMIGRANTS" DU CINÉMA: QUELS PAYS? QUELLES BORNES TEMPORELLES ? QUELLES RESSOURCES ? 
Université Lumière Lyon II

Imme Klages Remigration des Filmexils ? Eine Spurensuche im Nachlass von Günter Peter Straschek (« Rémigration » des exilés de l’industrie du cinéma ? A la recherche de leurs traces à partir du fonds Günter Peter Straschek)

Program: https://filmexil.uni-mainz.de/files/2023/11/Programme_JE-17-novembre-cinema-et-remigration.pdf

Loneliness and Resonance. Jewish Film History in the Federal Republic
Jewish Museum Frankfurt

Imme Klages Film Emigration from Nazi Germany: Who Came Back? A search for traces in the estate of Günter Peter Straschek.

Program: https://filmexil.uni-mainz.de/files/2023/08/K7_ZDJ_Programm_Einsamkeit_und_Resonanz_A5_07-2023_Ansicht.pdf

FUB-HUJI Digital Humanities Winterschool
The Hebrew University of Jerusalem

Program: https://www.ada.fu-berlin.de/FUB-HUJI-WS2023

Rethinking Film History Through Global and Digital Approaches (Early 1920s - Early 1970s)
Open University of Katalunya Barcelona

Imme Klages Film Exiles as Involuntary Agents in Film History

Presentation: https://seafile.rlp.net/f/0ed7964581a742f6867a/

Report: https://symposium.uoc.edu/78997/section/38923/international-conference-rethinking-film-history-through-global-and-digital-approaches-early-1920s-.html

Doing Digital Filmhistory
Philipps-University Marburg

Alexandra Schneider, Yvonne Zimmermann Canon and Cleaning: Data Preparation in Digital Film History

Fabian Kling Curating and Researching: A Case Study of Digital Film History

Report: https://www.uni-marburg.de/en/fb09/institutes/media-studies/research/research-projects/digitalfilmhistoriography/events/conference_program/report

Cranked, unchained, colorful, digital The Development of Camera Technology and Film Art in German Cinematography
cinefest Hamburg - International Festival of German Film Heritage

Imme Klages On the self-perception of the exiled cinematographers Günther Krampf, Karl Freund, Kurt Courant and Franz Planer in the reflection of their texts

Program: https://cinefest.de/wp-content/uploads/2022/11/cf22_Kongress_Prog.pdf